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Tuesday, January 17, 2012

Names and Faces: O.J. Simpson, Peter Dinklage, Kelsey Grammer, Angelina Jolie

The Reliable Source was off for the long weekend and will return online today and in print tomorrow. Names and Faces is the column that runs in its place in Style on holidays.

J.P. Morgan Chase has filed for foreclosure on O.J. Simpson’s Miami house, the Associated Press reports. The four-bedroom, four-bath house south of downtown Miami is valued at $478,401 — almost a hundred grand less than what Simpson paid for it. His lawyers have filed a motion to halt the action.

Simpson, 64, is serving a nine- to 33-year prison sentence in Nevada for kidnapping and armed robbery convictions involving a 2007 armed confrontation with a sports memorabilia dealer in a Las Vegas casino hotel room.

The former football star and actor was acquitted in an infamous 1995 trial for the slayings of his ex-wife, Nicole Brown Simpson, and her friend, Ronald Goldman..

Peter Dinklage, winner of the best supporting actor Golden Globe for his work on “Game of Thrones,” had Internet search engines spinning Sunday night after mentioning Martin Henderson in his acceptance speech.

Henderson is a British actor who was crippled in an assault outside a pub on his birthday in October, according to the Hollywood Reporter via the British newspaper the Sun. Henderson — who, like Dinklage, is a dwarf — now uses a wheelchair or walks with crutches. No arrests have been made in the case.

Before a TV audience of an estimated 17 million, Dinklage took the opportunity to raise awareness of Henderson’s plight.

Kelsey Grammer, winner of a Golden Globe for best actor in a TV drama for his performance in “Boss,” and his wife Kayte Walsh are expecting twins, People magazine reports.

The actor revealed backstage Sunday night that his wife is in her second trimester. “I’m really looking forward to meeting these new arrivals,” he said. “Fatherhood’s always different, based upon the character that comes into your life. They arrive and tell you what you have to do.”

Grammer, 56, has four children from two previous marriages.

QUOTED: “You’re prettier than me,” Angelina Jolie was overheard saying to her partner of almost seven years, Brad Pitt, at a Golden Globes after-party, according to Us Weekly. Although they were both nominated and both left empty-handed, Jolie jokingly told the Associated Press that she still had a lot to look forward to that evening: “Getting into bed with Brad!”

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Sunday, January 15, 2012

Angelina Jolie on her movie ‘In the Land of Blood and Honey’

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Angelina Jolie on her movie ‘In the Land of Blood and Honey’

View Photo Gallery — ?A look at the life and career of actress Angelina Jolie. Jolie wrote and directed the new film "In the Land of Blood and Honey," about the war in Bosnia.

Text SizePrintE-mailReprints By Ann Hornaday,

“What I really want is some food!” Angelina Jolie is walking into a big, empty room in New York’s Waldorf Astoria Hotel, dressed like a businesswoman prepped for a meeting in a tailored black daytime suit and high-heeled black pumps. And it’s true: The lady needs to eat, her famously lithe frame having become thinner, paler, more birdlike since the last time we talked, a year and a half ago when the action thriller “Salt” came out.

A generous buffet will magically appear in the hall outside, but for now Jolie must content herself with a small bottle of water that she idly seesaws up and down while talking about her new movie. Not “her new movie” in the usual sense that it’s her famously puckered lips plastered on billboards from L.A. to Lesotho. Rather “her new movie” in the sense that she wrote, directed and produced it.

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At a special screening of her directorial debut, 'In the Land of Blood and Honey,' Angelina Jolie, joined by Brad Pitt, explains why the hardest part of making the film was keeping a balance between sides, and not causing offense. (Jan. 11)

“In the Land of Blood and Honey,” which opened Friday, stars a cast of virtually complete unknowns, actors from the former Yugoslavia who appear in a story about the Bosnian-Serbian conflict in 1992. It’s a rigorous, sometimes raw look at life during wartime at its most senseless, an often startlingly effective portrait not just of atrocities that included rape, sexual humiliation and gratuitous killings, but of stark international apathy. In many ways Jolie’s film resembles “Hotel Rwanda,” about a similar instance of collective paralysis in the face of unimaginable violence.

“The crux of the story was my frustration with lack of intervention,” says Jolie, the bottle of water tipping back and forth in her small hand. “I spent so much time with people in post-conflict situations where I wish I could just turn back the clock, before they were so scarred, and before so many losses.” She wants audiences to experience her own feelings firsthand, so that “if you’re watching the film,” she says, “you’re thinking, ‘Can somebody please stop this? It’s getting worse, I want to get out of this theater, I just want to get out of here!’?”

But first, of course, she wants to get people into the theater, not an easy proposition for a subtitled drama in Bosnian, Serbian and Croatian, about a war that took place in a faraway place and time, featuring actors American audiences have never heard of. After shying away from initially exploiting her celebrity, she’s now a ubiquitous presence on the movie-marketing hustings, showing up for awards ceremonies, interviews and, just last week, when she and her partner, Brad Pitt, attended a special screening at the U.S. Holocaust Memorial Museum.

“I didn’t do this film because I wanted to direct or be a director,” Jolie says. “I didn’t even intend on doing that when I wrote it. [Brad and I] kind of joked about it, because it seemed so impossible for me to write a film that would become a movie. We said, we’re going to send it to people from all sides of the conflict with my name off of it. If they agree, we’ll consider making a film, and if they don’t, we’ll throw it in the trash. .?.?. I’ve tried to do the best I could, and I feel this is a representation of who I am. Most of the films I do are [about] characters that I have fun with, but are not representative of who I am and what I believe.”

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